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genre: Fantasy; audience Score: 4677 Votes; cast: Alice Krige; ; Directed by: Oz Perkins; Synopsis: Gretel & Hansel is a movie starring Sophia Lillis, Samuel Leakey, and Charles Babalola. A long time ago in a distant fairy tale countryside, a young girl leads her little brother into a dark wood in desperate search of food and.

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Are we seriously in an age where we gotta change the title just to please some ppl🙄.
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FIRST Oh Im sorry. never mind the comments didnt load.
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LIKE 👍🏼 this comment if you guys were surprised about the first time you heard about the second movie of The Boy. January 30, 2020 9:00AM PT This fairy tale riff attempts to bring arthouse horror sensibilities to the multiplex, with mixed results. Aside from the odd Oscar contender expanding into wide release, January is not known as a fertile period for film releases, and in particular, the schlocky January horror film has practically become its own genre by now. So perhaps the best one can say about “ Gretel & Hansel, ” Oz Perkins’ revision of the Brothers Grimm tale, is that it is absolutely not a typical January horror movie. More ominous than exciting, more bleak than violent, and inspired more by Robert Eggers and Dario Argento than anything in the Hammer and Blumhouse canons, “ Gretel & Hansel ” is a stylish, impressive-looking attempt to bring some arthouse horror sensibilities to the multiplex, under cover of a PG-13 fairy tale riff. It’s not entirely successful at doing so – in fact, it’s often kind of a mess, especially when it comes to the inexplicable revelations of its third act – but at least credit the filmmakers for having higher ambitions than the film’s release schedule would indicate. With “It’s” Sophia Lillis in the lead role, “Gretel & Hansel” has switched the order of those titular names for a reason. In this version, Gretel is a diaphanous, wise-eyed 16-year-old, and her brother Hansel (Sammy Leakey) is a cute but helpless eight-year-old whom she’s been tasked with protecting. Set in a geographically unspecified storybook realm – British accents, like modern idioms, cycle in and out of usage – these two have been left to fend for themselves after their father dies and their mother slips into a deprivation-related madness, ordering her children off to the woods. (“Dig yourselves some pretty little graves, and dig one for your mother too, ” she offers as valedictory advice. ) The two siblings find the wider world wildly unforgiving: Gretel’s reptilian potential employer at an inn asks if she’s “kept her maidenhood, ” and a quick night’s sleep in an abandoned home leads to an attack and a chase from a zombielike ghoul. (This latter scene – like Lillis’ sometimes intrusive voice-over narration – feels like it must have been added late in the development process, as it’s the only time the film will indulge in straight B-movie action and jump scares. ) Saved by a kindly huntsman (Charles Babalola), the two children are directed toward a distant convent, far off into the woods. Lillis plays Gretel with a hushed intensity, letting her words and her gaze trail off in unexpected directions, and it’s quickly suggested that she possesses some sort of second-sight, experiencing vivid dreams and premonitions of hooded figures stalking the thick, foggy forest around them. After much wandering, complaints of hunger, and a shared psychedelic experience after eating some mushrooms, the two children come upon a surprisingly modern A-frame house in a clearing: inside, a giant banquet has been left out for no one in particular. Living here is the mysterious Holda (a delightfully creepy Alice Krige). A sharp-tongued, elderly crafter of various cold-pressed juices, she regards Hansel with obvious intentions – sniffing his hair and practically licking her lips as she encourages him to eat more and more – and Gretel with much more nebulous ones. The two stay there for longer and longer, continuing to enjoy Holda’s mysterious bounty, as Gretel’s dreams turn ever more menacing, and Holda starts to worm her way under Gretel’s skin. Mostly devoid of humor aside from one very surprising one-liner at a climactic moment (you’ll know it when you see it), the film, scripted by Rob Hayes, has some genuinely promising ideas in mind, at times prodding around the edges of a full-on feminist re-imagining of the fairy tale witch. But it never manages to reconcile its deeper interests with the need to hit some of the more obvious genre paces. The film certainly looks nice, with a wealth of eye-catching compositions: the camera always finds the most disorienting possible perspective as the two children pass through the forest; cinematographer Galo Olivares imbues Holda’s house with an amber glow that is simultaneously warm and sickly; composer Rob’s score leans heavily on Goblin-style synths; and production designer Jeremy Reed splits the difference between the antique and the modern with effectively unsettling results. The problem is that so many of its virtues feel compromised. At 87 minutes, it feels either too long or too short, returning to its more ominous imagery often enough that the impact starts to dull, but never properly digging into some of the richer veins it begins to tap. Even considering the source material, it is at times almost overwhelmingly grim – though it doesn’t contain much in the way of upfront gore or violence, the fact that this film skated by with a PG-13 rating while the likes of “Marriage Story” and “Rocketman” were recently saddled with an R should give critics of MPAA standards much to discuss – which only makes its pulled punches in the finale more obvious and unsatisfying. And for all of the care that went into its look and its sound, the world of the film never feels more than halfway formed; in the rush to tie up its narrative loose ends, it leaves its more intriguing thematic ones hanging. In “Last and First Men, ” Tilda Swinton is the literal voice of the future: a disembodied narrator from the hyper-evolved “eighteenth species” of humanity, calmly but desolately reaching out to us from a world some way past 2, 000, 000, 000 A. D. Given that we always suspected as much about Tilda Swinton, it’s a comforting choice: the one [... ] The Cinequest Film & Creativity Festival will push back its second week of programming to August due to concerns over the coronavirus. Co-founders Halfdan Hussey and Kathleen J. Powell made the announcement in a statement released on Saturday. “We want to make clear that our very first concern is for the health and well-being of [... ] Disney-Pixar’s fantasy film “Onward” is dominating North American moviegoing this weekend, opening with $40 million at 4, 310 locations, estimates showed on Saturday. The figure is at the low end of pre-release forecasts, which had pegged “Onward” for a launch in the $40-45 million range. The movie centers on a pair of teenage elf brothers — [... ] The American Film Institute has postponed its Life Achievement Award gala due to concerns over the spread of coronavirus. The annual ceremony, set this year to honor Julie Andrews, was scheduled to take place April 25 at the Dolby Theatre in Los Angeles. The event will be rescheduled for a date in early summer. “AFI’s [... ] Dave Bautista’s “My Spy” is moving its North American release date back a month to April 17 in order to take advantage of a recently cleared slot for the family comedy. After “No Time to Die” was pushed from April 10 to November due to the coronavirus slowing the global box office, “Trolls World Tour” [... ] Remi Chayé’s “Calamity, a Childhood of Martha Jane Cannary, ” Benoît Chieux’ “Sirocco and the Kingdom of the Winds” and “They Shot the Piano Player, ” from Fernando Trueba and Javier Mariscal, were among projects which caught attention at this week’s 22nd Cartoon Movie, which ran March 3-5 in the French port city of Bordeaux. The presentation [... ] A man grieving the loss of his loved ones retreats into the safety of memory, a place where time stands still and the departed walk among him. Over the years an imaginary city grows, populated by literary idols, comic book heroes, family members and friends. But even that mysterious place is eventually threatened by the [... ].

Level 1 I love Oz Perkins so damn much. His style is so great. level 1 "I've got a good idea boss, lets name it something unique, Hansel & Gretel is too generic. " level 2 Yeah I was wondering about that. It both seems like it could be to avoid a copyright issue and also not enough to avoid copyright at the same time level 1 Wow i'm surprised to say this looks good. level 1 Looking forward to this! So excited for the movies this year! level 1 This feels like a spiritual successor to The VVitch level 2 That last line reminded me so much of 'wouldst thou like to live deliciously? ' level 1 I'm not sure if anyone will ever be a better witch than Joan Collins from the Faerie Tale Theatre episode, but this looks promising. level 1 I can forgive the missing Umlaut in Hänsel for english productions every time, but why would you mix up the names in the title? It sounds super off. level 2 They switched the characters around. Gretel is the older child in this version and is the main character this go round. Also if you watched the trailer they aren’t exactly following the normal tale. level 1 Hansel & Gretel, already screwing it up. level 1 Trailer didn't do much for me. level 1 Why do they keep trying to remake this? Feels like they're beating a dead horse. R/HORROR, known as Dreadit by our subscribers is the premier horror entertainment community on Reddit. For more than a decade /R/HORROR has been 's gateway to all things Horror: from movies & TV, to books & games. Reddit Inc © 2020. All rights reserved.

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Movie online gretel & hansel 2. Movie online gretel 26 hansel reaction. Level 1 I'm honestly surprised it's PG-13, the tone the trailer gave off definitely felt like it was going for R level 2 The last time we get a PG-13 horror movie with an R-Rated soul was Insidious or Drag Me to Hell (or even Split, for that matter). Can’t wait to see this traumatize some kids! level 2 I am not worried at all. Oz Perkins seems more than capable of building atmosphere and dread without using the traditional horror methods that will push it into an R rating. level 1 I know they're going for creepy but this poster just makes me wanna gag. level 2 then i think its doing its job level 2 The score for Maniac is awesome. level 2 Opera by Engelbert. Just Engelbert. level 1 For some reason I didnt know Orion still existed lol... I remember seeing their logo with a lot old school films back then level 2 They went bankrupt in the late 80s/early 90s, but were recently brought back to life as more of a distributor than a studio level 2 I was watching or playing something in VR the other day and it had a vr version of the Orion logo. I just thought it was super neat to see something so retro that I grew up with reimagined in "future tech". Kinda felt like seeing the atari/coke promos in Blade Runner if it happened irl. level 1 Oz Perkins is insanely talented. While I appreciate I Am The Pretty Thing That Lives in the House, I wasn’t a huge fan of it. However, Blackcoat’s Daughter was really fantastic. I look forward to see what he does with this. level 2 He's also the son of Anthony Perkins, best known for playing Norman Bates in Psycho. Horror definitely runs in his veins level 2 Oh yeah wasn't that his first film or something? It wasn't super great but the pacing and style was so incredibly well done. level 2 I’m in the same boat as you. Saw black coats daughter first and loved it. Then watched pretty thing right after and did not enjoy it. level 2 I'm with you. I really liked the Blackcoat's Daughter but wasn't impressed by I Am The Pretty Thing That Lives in the House. Any new spin on Hansel & Gretel is something I would likely watch. I love the classic stories and fairy tales based on witches and the like. level 2 I really enjoyed most of The Blackcoat's Daughter. It had a wonderfully cozy atmosphere -- the snowy boarding school, the softly lit dorms, the nurses' home where they would have dinner -- which made the contrast of the horror scenes that much more effective. The scene where Kiernan Shipke's character is praying to the furnace was fucking chilling. But I hated the decision to have Kiernan Shipke and Emma Roberts both play the same character. It just didn't work for me at all, it took me out of the movie completely. It's the kind of reveal that only works well in a book where you can't see the characters. I'm still really excited for Gretel & Hansel since I love arthouse horror, and Perkins is still great at crafting atmosphere, tension and dread. level 1 Nein! It's Hansel un Gretel! level 2 Yeah I don't get why they reversed the names... I mean, I can guess why and it's petty enough to be true.

RT has critics somewhat liking it at about 60% favorable as of this post. However, the audience score is a measly 20%. Yay or nay? level 1 Awful. It was pretty to watch but the dialogue/plot is trash. Go watch the vvitch if you want something similar that is actually well made. level 2 Was it worse than The Turning? Cannot imagine anything worse. level 1 Not much substance, but plenty of style. It’s fine, but wholly missable. level 1 It wasn’t amazing but I found it good enough to watch. If you’re a horror fan, like myself, I would say you should watch it. The visuals are cool, and the vibe is nice. level 1 Alright, just saw it. Think THE WITCH but without the talent. I think that sums it up well. level 1 I really loved it. Take this test to see if you will too... Did you like The Witch, The Lighthouse, It Follows or The Babadook? If so then you’ll like this too! It’s very atmospheric and it’s dialog treats you like an adult. Even if you hated it, you have to admit it’s a nice pallet cleanser from the heaps of Blumhouse and Conjuring universe they shove down our throats. level 2 I loved all of those films you mentioned— though I am a huge fan of The Conjuring films. I guess I’ll check it out then. Might as well since AMC has already gotten their money from me. 🤷🏽‍♀️ level 1 I wasn't going to see this but the negative reaction makes this a must-see. Audiences are motivated to "like" what they've enjoyed before in the same genre and critics these days are hellbent on projecting some personal gripe into every movie. Sounds like this movie pisses people off. I'm in! level 2 My sentiments exactly. I’m fan of the genre so I’m in, especially since I probably skip the Turning.

Here we go again, we all got a 16:9 aspect ratio television set by now and here we are making movies in 4:3 aspect ratio! Well screw that 🖕. Movie online gretel 26 hansel lyrics. Movie online gretel 26 hansel and griddle. Oh so this that straight to DVD version... Movie online gretel 26 hansel and gretel. Movie Online Gretel. Level 1 We dont need someone posting their cast every 5 minutes level 1 Why would you recommend it if youre not okay with it? level 1 She was in HBO’s sharp objects a little, I think she would be great level 1 It would have been a great choice 4 years ago, but she's too old now. What about McKenna Grace ( from haunting of hill house), she's the right age and a damn fine actress... Gerard Butler as Joel. ( He can also sing as well as being hard as nails) level 1 YES. Absolutely. if they have age problem, they could say Ellie is 16 and all solve. She has the dramatic essence of Ellie, and her humoristic side level 1 She could definitely pull it off The official subreddit for HBO, discover full episodes of original series, movies, schedule information, exclusive video content, episode guides and more. Reddit Inc © 2020. All rights reserved.

Movie Online gretel hansel. He is very underrated he deserves a hit,praying for this movies success. Movie online gretel & hansel and gretel. The new mutants keeps putting date releases for years. Reveiw Run time under 5 minutes. Must be a bad movie. Edit: It is. Vengo xq el Pollo la tiene en una lista de reproducción y me sorprendí cuando apareció Mac... 11:56 Downhill.

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